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By admin, on March 21st, 2025

The Fujifilm GFX 100 RF is a newly announced medium-format camera. It features a 102-megapixel medium-format sensor and a fixed lens of 28mm F4, which is equivalent to a 35mm lens—maybe a 35mm F5.6 lens when used in a full-frame camera. Compared to other medium-format cameras in the market, it has a rangefinder design and a compact body.
The camera was announced on March 20, 2025, with a price tag of $4,899. Shipping will start on April 24, 2025, and it will be available in black and silver. We have already covered the Fujifilm GFX 100 RF Press Release here.
Get GFX100 RF from B&H Store | Adorama.com
Rangefinder-Style Body & Unique Features
The rangefinder-style body also includes an offset electronic viewfinder and the most attractive thing in the body design is the new aspect ratio dial with 9 options that include 4:3, 2:2, and even 16:9. This allows you to compose your images in a very different way, making landscape and architectural photography more intuitive.
This aspect ratio dial will give you a new dimension to capture and preserve your compositions. You can check our best aspect ratio guide to understand how different ratios impact composition.
A Compact Medium Format Camera for Professionals
The camera was announced in a very unique niche that blends traditional medium format photography with a compact body. Some photographers who strive for high image quality but don’t want to carry the traditional bulky GFX models with interchangeable lenses will find this specific design inspiring.
Samples of GFX 100 RF
Jonas Rask Photography Blog: The blog post “Impossibly Possible – The Fujifilm GFX100RF review” (Jonas Rask Review) offers an in-depth look with sample images from real-world use. The author, involved in early testing.
DPReview Sample Gallery: DPReview’s initial review of the GFX100RF (DPReview Initial Review) includes a sample gallery.
Official Fujifilm Pages: The official product page for the GFX100RF (FUJIFILM GFX100RF Product Page) does not directly host a sample image gallery but credits photographers like Lee-Ann Olwage and Yukio Uchida.
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By admin, on March 20th, 2025

RF means rangefinder. Announced finally, it is a compact medium format camera. For the first time, Fuji has created a very unique medium format compact camera that never existed before. So let’s explore the set of specifications that impressed us and have a technical specification overview amount of this camera.
Get GFX100 RF from B&H Store | Adorama.com
Things I liked about the Fuji GFX100 RF Camera
1. High-Resolution Sensor
A high-resolution sensor is the key factor here. The 102-megapixel medium format sensor is a significant or a major upgrade for any photographer who loves to have high-quality compacts in their hands. Although it is not so compact that it can easily fit in your jacket pocket too, yeah, in terms of medium format cameras, it is very much compact, similar to a full-frame camera design-wise.
2. Rangefinder-Style Body & Unique Features
The rangefinder-style body also includes an offset electronic viewfinder and the most attractive thing in the body design is the new aspect ratio dial with 9 options that include 4:3, 2:2, and even 16:9. This allows you to compose your images in a very different way, making landscape and architectural photography more intuitive.
This aspect ratio dial will give you a new dimension to capture and preserve your compositions. You can check our best aspect ratio guide to understand how different ratios impact composition.
3. Ideal for Professional Photography
This camera is highly beneficial for studio photography, landscape photographers, architecture photographers, and anyone who loves to extract the maximum dynamic range possible on the go. This is the best camera.
4. Versatile Fixed Lens
The GFX 100 RF camera uses a 28mm F4 lens, which is equivalent to a 35mm lens in terms of a full-frame camera. It provides a wide-angle perspective specifically ideal for landscape shooters, and architecture photographers, and it can do wonders with street photography. The lens is one of the other notable advantages that allow sync flash up to 1/2000 of a second, technically up to 1/4000s.
5. Built-in ND Filter
The other biggest thing that impressed me is the convenient built-in ND filter. The four-level built-in ND filter practically enables you to capture long exposure shots even in bright light conditions without additionally putting filters over the lens. So again, if you are a landscape photographer, architecture photographer, or even portrait shooter, this will help you a lot in composing your shot and extracting maximum dynamic range over the sensor.
6. Film Simulation Mode
How can we forget Film Simulation Mode if we are talking about a Fuji camera? Even in the medium format camera, we will have 14 Film Simulation options that photographers can select. Any of these, and straight out of the camera, you will have an amazing, enhancing post-processing experience with these Film Simulation modes.
7. Crop and Zoom Functionality
The unexpected detail you are getting from a medium format sensor. Although we have a fixed lens over the sensor since it’s a high-resolution camera, the GFX 100 RF offers multiple crop ratios that include 35mm, 45mm, 63mm, and 80mm. So if you are using the maximum zoom, the resulting output will be 20 megapixels, starting from 62MP at 35mm. And when you are using the camera at 28mm, you will be getting the full 102 megapixels. So it is a very practical thing and helpful too for composing your shots.
8. Hybrid Autofocus System
Apart from being a medium format camera, the camera uses a hybrid autofocus system that ensures fast as well as accurate focusing over the subject.
9. Connectivity and Storage
The camera features dual UHS-II SD card slots and external SSD support. So you can connect with your SSD drive to quickly empty your camera using the SD card slot, or even you can use an SSD drive to capture images while connecting your camera with a USB-C port. The camera also features a headphone and microphone port, a micro-HDMI port that enables tethering for hybrid shooters.
Now, those features that failed to impress me
1. Unconventional Viewfinder Placement
Since it’s an RF (rangefinder-style) camera, I was expecting some sort of Fuji X-Pro-style hybrid OVF-EVF mix in this camera. At the same time, the placement of the EVF is not in the center, which may affect someone who has a habit of using DSLRs or high-end mirrorless cameras for a long time. It’s all about compatibility, and if you are new to this, then there is no issue.
2. No IBIS
Since we are getting a slow fixed lens of 28mm F4 which will act as a 35mm F5.6 lens when used in Fullframe eq, those who will by the GFX 100 RF compact camera and interested in low-light or street photography will surely miss the presence of IBIS without a doubt
3. Conditional Weather Sealing
Conditional weather sealing means the weather sealing is effective only and only when you are using the included filter ring and filters over the top of the camera. If you are not using the filter ring and the filters, then this camera may get damaged due to rain or moist weather. So always keep in mind the conditional weather sealing part if you are willing to use this camera outdoors.
4. Limited Video Capabilities
This is completely an optional thing. So I hoped and expected that those who are buying the medium format GFX 100 RF camera are basically photographers. But still, we are paying a lot of money, and if you look at the video capability of the camera, then we have 4K video at 30 frames per second, which may disappoint some people.
5. Display
Now, we have a 3.2-inch tilting touchscreen display. While it is fully functional, some users may consider it small since we are using a large medium format body. If the camera makers were able to add a larger display—similar to the conventional ones we usually see in DSLRs—it would have been a very helpful thing.
Price & Availability
The price of the camera is approximately $5000. But we cannot say it’s a high-priced camera since its competitors—other medium format camera makers—are making even more expensive solutions. So we are not in the position to say it’s overpriced.
.The battery (16Wh NP-W235) is rated for 820 shots (CIPA), which is decent
The Fujifilm GFX100RF is a fixed-lens medium format camera with a 102MP sensor, retailing at $4899 and available since April 24, 2024. Below is a table summarizing its core features:
Fuji GFX 100 RF Full Specification
Feature |
Details |
Sensor |
102MP medium format (44 x 33 mm) Bayer sensor |
Lens |
Fixed 35mm (28mm equiv) F4, leaf shutter, 10 elements in 8 groups, 9-blade aperture, minimum focus 20cm, accepts 49mm filters with adapter ring, syncs with flashes up to 1/2000s (technically 1/4000s) |
Viewfinder |
5.76M dot OLED EVF, top left corner, 0.84x magnification |
Weather Sealing |
Possible with included filter ring and filter |
Autofocus |
Subject recognition autofocus |
Aspect Ratio Dial |
9 options (4:3, 3:2, 16:9, 65:24, 17:6, 3:4, 1:1, 7:6, 5:4), preview via black borders, bounding box, or opacity, “C” setting for custom, Raw + JPEG for post-crop adjustment |
Crop Zoom |
Toggle switch for crops: 35mm (62MP), 45mm (1.29x, 62MP), 63mm (1.81x, 31MP), 80mm (2.28x, 20MP) equiv., all in full-frame terms, Raw unaffected, in-camera reprocessing available |
Screen |
3.2″ tilting rear touchscreen |
Video |
4K up to 30fps |
Built-in ND Filter |
4EV |
Film Simulations |
14 options |
Design |
Fixed lens, classic styling, no rangefinder or hybrid viewfinder, includes braided strap, filter ring, filter, color-matched square lens hood, available in black or black and silver |
Battery |
16Wh NP-W235, rated for 820 shots (CIPA) |
Storage |
2x UHS-II SD card slots, external SSD support |
Fuji GFX 100 RF Press Release
Introducing FUJIFILM GFX100RF: The first FUJIFILM GFX System Fixed-Lens Mirrorless Digital Camera
VALHALLA, N.Y., March 20, 2025 — FUJIFILM North America Corporation today announced the launch of its “FUJIFILM GFX100RF” (GFX100RF) mirrorless digital camera. GFX100RF is the first digital camera with a fixed lens in the history of the GFX System. Like all GFX System cameras, GFX100RF incorporates a large-format image sensor1, approximately 1.7 times larger than a typical 35mm full-frame sensor.
“GFX100RF redefines portability for the GFX System,” said Victor Ha, vice president, Electronic Imaging and Optical Devices Divisions, FUJIFILM North America Corporation. “This camera is an incredible mashup between our Straight Out of Camera philosophy and GFX System’s More Than Full FrameTM persona because it bridges image quality with our legendary color reproduction. With GFX100RF, we’re able to offer high-resolution, large format images in a small, easy-to-carry package.”
Product Features
Large-format, high-resolution images from the lightest GFX System model to date
- GFX100RF weighs just 1.62lb (735g)2, making it the lightest model in the history of any GFX System camera.
- The camera features Fujifilm’s GFX 102MP CMOS II HS image sensor and image processing engine, X-Processor 5. This sensor features evolved pixel structure and micro- lenses that enhances dynamic range and low-light performance, as well as providing further improvements in peripheral image quality and autofocus (AF) accuracy.
Form and function made for large-format creation
- The top plate of GFX100RF is machined from a single block of aluminum and the lens ring, dials, bottom plate, and other details are all precision-machined from aluminum as well, accentuating the camera’s premium details.
- Another first in Fujifilm camera technology – an Aspect Ratio Dial is included on the back of the camera. This allows users to easily switch between the various aspect ratios on the camera, further enhancing the experience of using the camera. Two new aspect ratios of “3:4” and “17:6” have been added to GFX100RF, giving photographers more opportunities to select an aspect ratio that matches their creative intentions.
- GFX100RF also features a digital tele-converter selector/lever on the front of the camera to select angle of view. From its native 35mm focal length (28mm in 35mm format), the angle of view can be switched in three steps to 45mm (36mm in 35mm format), 63mm (50mm in 35mm format), and 80mm (63mm in 35mm format), allowing users to respond flexibly to a variety of image creation situations.
- A new user interface has been added that optimizes the placement of icons to match the 3:2 aspect ratio of the new 3.15-inch 2.1-megapixel 2-axis tilt LCD monitor.
- GFX100RF also features a new Surround View function that displays the area outside the image range as a semi-transparent frame, which serves as a guide that coincides with the selected aspect ratio. Users can easily switch between these two viewing modes by using a lever on the camera body, giving an experience that can suit the needs of different creative perspectives.
The latest fixed-lens technology
- GFX100RF features a new FUJINON 35mmF4 fixed focal length lens, with a constant F4 aperture, developed exclusively for GFX100RF. By adopting a leaf shutter system instead of a focal plane shutter system, the back focus distance has been shortened to achieve a significant reduction in overall size.
- The versatile 35mm (equivalent to 28mm on a 35mm camera) angle of view is ideal for a wide range of scenes, including landscapes, travel, snapshots, and portraits.
- GFX100RF achieves high resolution performance by suppressing spherical aberration and field curvature, through a lens configuration of 10 elements in 8 groups, including 2 aspherical lenses. A newly developed nano-GI coating optimized for lenses with large curvature has been applied to the lens to suppress internal reflections even in the peripheral areas of the lens.
- Despite its MORE THAN FULL FRAME™ large format imaging sensor, the compact and lightweight body allows users to get close to their subjects, as close as 7.9 inches (20 cm) from the front of the lens.
- GFX100RF is the first camera in the GFX System to feature a 4-stop ND filter built in, useful for image creation at maximum aperture in bright environments or with slow shutter speeds. The leaf shutter allows flash photography regardless of shutter speed, increasing the flexibility of shutter speeds, even when creating content outdoors in daylight.
High-speed, high-precision AF and 4K/30P video recording
- GFX100RF is equipped with an AF prediction function and face/eye AF to recognize a wide variety of subjects, such as animals, vehicles, birds, and airplanes. In video recording, the tracking AF function easily tracks the subject with touch operation.
- GFX100RF is equipped with a high-magnification, high-definition EVF with a finder magnification of 0.84x and 5.76 million dots. When using the viewfinder, it suppresses the image flow and distortion that occur due to misalignment of the pupil position, achieving high visibility. Inspired by classic camera design beloved by photographers, the GFX100RF’s EVF gives a premium viewing experience, echoing the style of FUJIFILM X100VI and FUJIFILM GFX50R, making it easy to monitor the surroundings with the camera to the eye.
- GFX100RF supports smooth 4K/30P 4:2:2 10-bit video recording at 30 frames per second. In addition to enabling content creation with a wide dynamic range and low noise, the 13+stop3 “F-Log2” provides for higher flexibility in post-production.
- GFX100RF is compatible with Frame.io Camera to Cloud functionality, allowing video and still image files to be uploaded directly to Frame.io via the cloud, dramatically speeding up the workflow from content creation to editing.
Included Accessories:
- The PRF-49 protective filter is included with purchase. When used in combination with the dedicated adapter ring, it achieves dust and drip resistance, making it safe to use even in outdoor environments where it may be exposed to light rain or flying dust.
- GFX100RF also includes a precision-machined aluminum lens hood and a dedicated adapter ring, combining a sophisticated design with light shielding properties.
- A stylish rope-type shoulder strap is included, a first for the GFX System, complementing the camera’s sophisticated design.
Pricing and Availability:
FUJIFILM GFX100RF is expected to be available late April 2025 at a Manufacturer’s Suggested Retail Price of $4,899.95 USD and $6,999 CAD.
By admin, on March 20th, 2025

Sony just posted an teaser of their upcoming Fullframe cinema camera announcement, as per the leaked image its visible its scaled-down VENICE expansion module on March 26, 2025,
More over this – Sony itself accicxently leaked upcoming VENICE Extension System in a video which was removed later, the image you see below is The VENICE Extension System Mini (model CBK-3621XS) has a built-in 8.6K full-frame CMOS sensor that retains the image quality of VENICE 2
 VENICE Extension System Mini
Approximately 70% smaller than the VENICE Extension System 2 (image block volume ratio). Flexibility is built into every corner of the compact design. A slim, soft, detachable cable brings greater freedom to filmmaking, while also opening up XR content creation and stitching shooting. The PL mount adapter supports more lens selection and metadata recording. Assignable buttons and numerous mounting holes allow photographers to mount and shoot to their preferences. This compact system is ideal for handheld, gimbal, and POV shooting.
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By admin, on March 18th, 2025

Let’s talk about the Nikon ZV camera. It’s a rumored camera that features the goodness of all the video core specs that we have already seen in the Nikon Z6 Mark 3, but it’s actually an extension of Nikon’s new videography cinema mirrorless line.
Nikon ZV / Z6V Rumor
As per the recent set of rumors we have from the rumor mill, Nikon is currently working on a video-oriented Z6 Mark 3 camera, which uses the same 24.5-megapixel sensor as now, and it has a body that looks very, very similar to the Sony FX3 camera. You can relate to that, or you can also relate to the Nikon Z30, which does not have an electronic viewfinder inside it. So, you can just imagine a full-frame variant of the Nikon Z30 using the Z6 III sensor.
Possible Naming and Branding
The name of the camera is actually not known yet, but we are calling it Nikon ZV. It may also be called Nikon Z6V at the time of announcement. The rumor mill is suggesting that Nikon may start its video-focused branding with the ZV name.
Nikon Z6 III Key Features
The Nikon Z6 III camera was launched in 2024, and the camera features a 24.5-megapixel stacked sensor, which offers approximately 3.5x faster readout speed compared to its predecessor. Due to that, and with the pairing of the Expeed 7 image processor, the camera is able to capture 6K 60 FPS RAW videos, and it can save internally at the same time. You can also record 4K 120 FPS with slight crop and Full HD videos per second, making it a perfect choice. At the same time, the upcoming ZV camera will have all the possible set of core specifications that we have already witnessed in this camera by extending it further.
Nikon ZV / Z6V Specification (Expected)
Core Imaging and Processing
- 24.5MP Partially-Stacked CMOS Sensor
- EXPEED 7 Image Processor
- Up to 20 fps Raw, 60 fps JPEG Shooting
- Blackout-Free, 5760k-Dot EVF
- 493-Point AF with AI-Based Subject Detection
Advanced Video Capabilities
- 6K 60p N-RAW, 6K 30p ProRes RAW
- 4K 120p, Full HD 240p Slow Motion Video
- Open Gate Recording
- 2x-anamorphic squeeze or custom aspect ratios.
- shutter angle control
- false color display,
- DCI-Spec Alignment
- Enhanced post-production stabilization, complementing 5-axis IBIS & electronic VR.
- Internal ND Filters
- Active Cooling System – Enables longer high-frame-rate video recording by preventing overheating.
Enhanced Audio and Connectivity
- 32-Bit Audio Support – Upgraded from 24-bit PCM, offering higher fidelity for post-production, plus line-in and XLR accessory compatibility.
- Multiple USB Ports & Improved Functionality – Two USB-C ports: one for data transfer, external recording, and power, and another for audio input
- Camera-to-Cloud Direct Connectivity – Seamless cloud integration for efficient workflow.
User Experience & Interface
- 3.2″ 4-Axis Tilting Touchscreen LCD
- Improved Video Interface
- CFexpress Type B & SD Memory Card Slots
Cinema & Professional Lens Compatibility
- Compatibility with Z Cine Lenses – Seamless integration with Nikon’s Z-mount cinema lenses.
Mounting Points for Accessories – Ergonomic design for video rigs and additional time code, time-lapse, and dual-format recording support.
Nikon’s Acquisition of RED and Its Impact
Nikon’s acquisition of RED was done in 2024. Now, we also have Nikon Z-mount-based RED cinema cameras—the RED Raptor and the RED Komodo. Nikon engineers are now working in power with the RED team to ensure the future of RED cameras, as well as integrating the best cinematography features possible for the new-age mirrorless camera, which is directly coming from the RED core development program.
RED Technology Integration in Nikon ZV
So, the upcoming camera will have some RED tech inside, possible enhancements from RED could include:
- Deeper integration of RED’s color science for nuanced color reproduction.
- Support for professional formats like Redcode RAW.
- Enhanced connectivity, such as XLR inputs and SDI outputs.
- Robust build quality for harsh shooting conditions.
- Improved thermal management for extended recording.
These enhancements aim to align the camera with RED’s cinema-grade capabilities
Expected Release Timeline
The camera is expected to arrive sometime in Q3 or Q4 of 2025, and if we get any updates related to the same, we will be posting them here at TheNewCamera.com.
Latest Post
Article “Nikon ZV Latest Rumors, Specifications and Arrival Date” Published on: March 18, 2025
By: The New Camera Editorial Team Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get get Camera News + Nikon Rumors 24X7
source nikonrumor.com
By admin, on March 18th, 2025

According to the latest rumors, Panasonic is gearing up for a major product camera announcement in April 2025. The information comes from a reliable SAR YT channel. It is expected to be a direct competitor of the Sony FX3 camera, featuring the same compact body style without an electronic viewfinder. The news is not limited to this camera—based on past registrations done by Panasonic, three more cameras are expected to arrive from Panasonic in the next few months.
Confirmed Information: What We Know So Far
- Panasonic’s next camera is coming in April 2025.
- The upcoming camera is a full-frame L-mount camera designed specifically for videographers and professional cinematographers.
- It will not include an electronic viewfinder. The design is plain and simple, similar to the Sony FX3 camera, but Panasonic also has a box-style cinema camera. I doubt whether they are preparing for their next box-style camera announcement.

Let’s Talk About Some Unconfirmed Information
- The sensor is the same as the one seen in the Nikon Z6 Mark III camera—a partially stacked 24-megapixel CMOS sensor.
- The source also mentioned that instead of a 26MP partially stacked sensor, it can also use a Sony-manufactured full-frame type CMOS sensor of 24MP resolution, providing faster readout speed to minimize rolling shutter issues.
The sensor details are unconfirmed at this moment; however, we will update this portion as soon as we get the latest information related to the same.
Lumix S1R II Rolling Shutter Exposed: The 48p Trick You Need to Know
Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes
It’s Not a Panasonic S1H II Camera
It has been very clearly mentioned that the upcoming camera is not a Panasonic S1H Mark II camera. Yes, it is coming, and it is expected to arrive later this year, but the April announcement is not the S1H.
It has been explicitly mentioned that three new Panasonic cameras are coming, and they are expected to arrive soon. Some of them may even appear before summer. Just like the next camera announcement in April, based on industry insights, between April and July 2025, we will have one more fixed-lens compact camera from Panasonic. Although the exact name remains unclear, it may be a true successor to the Panasonic LX100 Mark II camera.
Now, due to a huge surge in demand, the Panasonic S1R Mark II camera, which has been announced recently, is facing shipping delays. However, even in this situation, Panasonic is ready to announce new products one after another without any delay.
Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com
Published on: March 18, 2025
By: The New Camera Editorial Team Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
This article, “Panasonic’s Major Camera Announcement in April 2025,” was first published on TheNewCamera.com.
By admin, on March 18th, 2025

The Sony FX3 camera was announced back on February 23, 2021. It was a full-frame mirrorless consumer cinema camera. It was made to make cinema cameras within the reach of more and more professionals—those who love to have a compact body with all the possible features of a professional cinema camera. The FX3, at the time of the announcement, had a 12.1-megapixel CMOS sensor that was used in the Sony A7S Mark III camera and featured 4K Ultra HD video recording up to 120 frames per second and 10-bit 4:2:2 XAVC S-I internal recording.
Limitations of Sony FX3
But at the time of the announcement, the camera was lacking an internal RAW video recording mode, and of course, the FX9 also does. But with the FX3, we do have an option to get 16-bit RAW video by the HDMI port, but again, no option to record RAW internally.
The other option that was missing inside the FX3 is open-gate recording, which is now available in almost all Panasonic and Fuji cameras. Even cameras like the Panasonic S9, S5 II, Fuji X-S20, and Panasonic S1R Mark II now offer open-gate recording.
What Rumor Mills Are Saying This Time
A lot of rumors indicate potential upgrades to the sensor, including a global shutter sensor, which is coming from SAR.com
What We Know So Far about Sony FX3 II
New features are coming inside the FX3 Mark II camera, which will fill the gaps of the first version of this camera.
- The first feature that we are about to receive in the FX3 Mark II is an open-gate recording in a 3:2 format, which is almost confirmed. After a very long wait, Sony professional users will be getting open-gate recording in their upcoming professional camera.
- The other confirmed set of features includes 12-bit internal RAW internal video recording, which is about to arrive inside this camera. It’s really a kind of exciting moment to see these new features that we have never witnessed or seen in Sony’s professional consumer-grade cameras coming along with the FX3 Mark II announcement.
- The Next Cinema Camera from Sony is FX3 II, Arriving before Q3 of 2025.
Why Do Internal 12-bit RAW and Open Gate Actually Matter to Professionals?
A RAW video that a camera records is uncompressed or minimally compressed data, which is directly coming from the sensor without passing through different algorithms, providing the maximum latitude possible for color grading and other post-production adjustments. 12-bit video offers color depth, allowing users to have smooth gradients as well as better dynamic range handling compared to other lower bit-depth or compressed video codecs. So, having these capabilities internally means filmmakers can enjoy filmmaking and can get the maximum possible advantage of the sensor being used inside the camera, which other camera makers are also giving right now.
Another important aspect, professional content creators nowadays use open-gate recording to handle the content for multiple platforms simultaneously. These content creators need to adapt footage for various platforms recording at the same time, and by recording the full sensor, they can crop out aspect ratios required for post-production without losing the video quality of the camera.
It’s a Time for Upgrade
Sony’s higher-end cameras like the FX9 and FX6 do not support internal RAW recording and require an external recorder to capture 16-bit RAW via SDI output, and that’s the most frustrating thing for many professionals out there. That’s why, possibly, they are migrating to different brands such as Panasonic Lumix at this moment. So, the market pressure from the competitors for having internal RAW video recording as well as the open gate has led Sony to innovate these features in the FX3 Mark II (based on the information we have ). If they fail to innovate, they will not remain competitive with others, and that will be a big mess for the brand’s consumer base. Given the success of the FX3 and the growing market demand for hybrid cameras as well as advanced video features, this is the best time for Sony to release the FX3 Mark II camera with extended capabilities.
The article “Sony FX3 Mark II to Feature Open-Gate and 12-Bit Internal RAW” was first published on TheNewCamera.com by TheNewCamera Team. Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
By admin, on March 17th, 2025

E88_8888 which is very good and accurate in bringing out the latest camera registration information from the wireless certification agency, posted a prediction for the EOS R1 Mark II, that it will use a Global shutter sensor.. the prediction looks logical to me, and that why I have decided to publish. As global shutters are now being used by Sony in their professional A9 III camera which is made for sports and wildlife shooters, and Canon has a history of sensor innovation. But, the current Canon R1, launched in 2024, lacks a true global shutter, suggesting this could be a natural upgrade.
By comparing the information before and after the interview, EOS R3 was originally a product of manufacturing dissatisfaction with EOS R1 and turning to test all new functions.
EOS R3 has been well received by the professional market, but it has defined the product style of EOS R1: professional control, balancing the triangle of resolution, high sensitivity, and readout speed.
I personally predict that Canon’s next flagship EOS R1 II will focus on its own semiconductors and develop a global shutter with stacked voltage memory.
This solution is mature and reliable, and in line with Canon’s tone.

Canon R1 Flasghip is slow in front of the Sony A9 III camera
Since Sony now has the Global shutter sensor in their fastest camera and as we all know Canon isn’t into the Megapixel race, the nearest true competitor of Canon’s fastest flagship Canon R1 camera with 24MP Full-Frame Stacked BSI CMOS Sensor and Continuous Shooting Up to 40 fps at Maximum Resolution with AF/AE, and we have Sony A9 III with 24.6MP Full-Frame Global Shutter Sensor and the Sony offers Up to 120 fps at Maximum Resolution with AF/AE support.
Sony’s Competitive Edge
As you all know, Canon’s biggest competitor in the mirrorless domain right now is Sony, and Sony’s sensor research and development team is already using global shutter sensors in their Alpha A9 III. That makes Canon look weak in terms of being called a No.1 Camera brand, although they do have faster stack readout CMOS sensors in their flagship camera, they are completely lagging behind the competition when compared to Sony’s sensor A9 III technology.
Canon’s Focus on the R1 – Speed over Resolution
As we all know, in a recent interview, Canon Chief Tokura clearly stated that they are focusing on the high-speed Canon R1 camera only, and there will be no other variant of the flagship camera that will have a higher resolution. If someone wishes to have a higher-resolution sensor, then the best option is to go for the Canon R5 series.
“We consider the flagship to be at the pinnacle of our lineup, which means we’re not going to have two flagship models,” Tokura told PetaPixel. “We’ve put everything—the best performance and trust—into the EOS R1.”
So if Speed is a priority, then they have reached the max physical limits of the stacked CMOS sensor in the R1, and if they don’t migrate then after the announcement of the Sony A9 IV with 2nd generation of global shutter sensor in the next 2-3 years their Flagship will become completely obsolete in terms of technology. – thenewcamera
Again, global shutter sensors are not new to Canon. They had already introduced the EOS C700 GS camera back in 2016, but the price was $40,000. So, of course, the camera was not accessible to everyone, but what I want to say is that global shutter sensors are not new to Canon, and they developed working models of the global shutter sensors back in 2016. Also, take a look at the list of patents related to Canon Global Shutter and High-End Sensors
List of Canon Global Shutter and High-End Sensors:
Patent Number |
Title |
Publication Date |
Filing Date |
Relevance to Global Shutter |
US10659706B2 |
Photoelectric conversion device and imaging system |
May 19, 2020 |
April 17, 2018 |
Explicitly mentions global electronic shutter function |
US20180233523A1 |
Solid-state imaging device and camera |
August 16, 2018 |
February 13, 2018 |
A stacked sensor design likely enables a global shutter |
US20180234605A1 |
Imaging element and imaging apparatus |
August 16, 2018 |
February 13, 2018 |
Exposure control supports a high-speed global shutter |
Announced Canon Global Shutter sensors:
Sensor Model |
Type |
Resolution |
Readout |
Application |
LI5030SAI |
Color/Near-Infrared |
19MP |
12-bit, 57.99 fps |
Industrial, high-speed |
LI5030SAN |
No Microlens/Filter |
19MP |
12-bit, 57.99 fps |
Industrial, high-speed |
So, if Canon wants to introduce a global shutter full-frame CMOS sensor in its R1 series camera, it can do so since it already has the technological backing.
More Cameras with Global Shutter Sensors in the Next 3 to 4 Years
Nikon also got access to global sensors when they acquired RED and RED, of course, has a very close relationship with Tower Jazz, (Partnership with TowerJazz: RED partnered with TowerJazz for their cameras’ 20-megapixel global shutter Super 35mm sensors, ) which is one of the leading suppliers of global shutter sensors to RED’s camera system.
Additionally, Nikon also has a very good relationship with Sony’s imaging division. The sensor manufacturing unit and the imaging division are completely different from Sony’s Alpha division. So, if they wish to acquire the Alpha A1 sensor for their future Z9 II model, they can get it since they already have access to many Sony sensors.
As you can see where the competition is heading, in the next 4 to 5 years, camera makers will have multiple global shutter models in the flagship zone, and if Canon fails to do so, they will surely lag behind the competition.
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